Frank Lucas Jr. Calls Out Funk Flex for Pay-for-Play Allegations

The son of Frank Lucas Jr. has made a public statement against radio personality Funkmaster Flex, accusing him of taking money from people and lying about his participation in pay-for-play schemes. Lucas, known for his family’s legacy and rise in the streets, was uncompromising in his criticism of Flex, stating that it is more than just a financial exchange – it’s about integrity and authenticity.

In a candid interview with MRECKTV, Lucas stated, “Flex needs to stop, he needs to stop. I’m not about to expose anyone, but receipts exist.”

The remark comes after Flex publicly declared that he had never taken money from artists or labels for airplay, a statement Lucas firmly disputes.

“Stop talking about how you ain’t never took nothing from nobody,” Lucas added, encouraging Flex to be honest about his past dealings.

Lucas’ criticism extended to more than just Flex. He made a broader point about the system of the music industry, advocating for a complete overhaul.

“The whole regime has to change,” he said, talking about the layers of deceit gradually exposed in the business. He pointed out the hypocrisy of how figures like Jay-Z are often not subject to public criticism, yet others, such as Lucas and Nicky Barnes, are stripped of their credibility.

Lucas emphasized that the pay-for-play system has profoundly impacted the music industry. Major players control what is played on the airwaves, regardless of the talent of the artists.

“People say don’t tear down our people, but it’s okay to tear down Nicky or Frank Lucas,” he remarked. “Who really stepped up to them when they were in the streets?”

He emphasized that street people, regardless of their past, should be given a fair view instead of being vilified.

Lucas posed a provocative question in response to a broader societal critique:

“If your child gets shot on the street, do you still want people to stay silent? You can’t have it both ways.”

His argument centered on applying logic and questioning the conflict between upholding street codes and demanding justice for the innocent.

The discussion about the music industry, corruption, and integrity is still ongoing. As Lucas pointed out, the current situation is not only about who paid who or how the system operates, but also about comprehending the actions and people involved. Funk Flex and the industry are facing a clear challenge from him:

“Stop lying. We’ve all seen the receipts.”