Exzenya mirrors the psychology of survival with new release “Captivity”

Courtesy of Exzenya
Exzenya’s “Captivity” is a slow study in being neurologically bent toward compliance. The track is built like a clinical case study matched to music, and each chord change comes down with the cold precision of conditioning, tracing the mental blueprint of control. “Captivity” draws from trauma theory, applied behavior analysis, and the documented realities of Stockholm Syndrome, those hideous paradoxes whereby the cage teaches you to fear the open door.
Exzenya writes from the perspective of those who have been forcibly rewritten, survivors of POW camps, Holocaust imprisonment, kidnappings, and coercive relationships. The song is nested within their mechanics and how loyalty can be designed, how freedom can feel like a threat, and how silence can be the only mode of self-preservation that remains.
Her voice is the sound of this rupture. She slinks from grounded, resigned lows to plaintive, almost pleading highs, not as performance drama but as the bodily document of both surrender and resistance, unfortunately sharing a single body. The forcefulness of “Captivity” lies in its refusal to end with a release. It concludes, as control does in real life, by asking whether our minds can unlearn what we were made to be. Exzenya asks you to sit in that discomfort, then dares them to consider not merely surviving captivity, but breaking its imprint. The result is a song that makes you feel its machinery from the inside.
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The official music writer on Landon Buford.
